Arts

Although the novel “Bridge to Terabithia” by Katherine Paterson takes place in rural Virginia, the story has a surprising connection to Takoma Park and Sligo Creek. Katherine Paterson’s son David Paterson and his childhood friend Lisa Hill attended Takoma Park Elementary School together. The two main characters in “Bridge to Terabithia,” Jesse Aarons and Leslie Burke, are based on Katherine Paterson’s son and Hill.

David Paterson reminisced to the Washington Examiner how he and Hill spent their time outside of school. “We used to play together around Sligo Creek building forts and inventing games.” The idea of Leslie Burke’s tragic death in the book also originated from real life. 8 year-old Hill was struck and killed by lightning while visiting the beach with family.


Gaithersburg

The DMV has many scenic areas and buildings that have been used as striking locales for filming film and TV. Whether it’s downtown D.C., Baltimore, or Annapolis, location scouts consistently look to our surrounding areas as visual homes for their stories. Montgomery County is no different.

Here are five movies (in no particular  order) where you can see Montgomery County on the big screen:


Entertainment

Even though Glenstone is currently closed, the Potomac art museum has created ways to allow the community to visit from home.  They are hosting facebook live discussions with their Guides, are sharing photos of current works, and are transforming some of their exhibits so that  viewers at home can share in the experience. One of their interactive exhibits is an installation by artist Felix Gonzalez-Torres, which consists of a pile of fortune cookies assembled in the corner of the museum.  Glenstone explains what the traditional in-person experience would look like and how they have changed the process so folks at home can participate.

“In ordinary days, visitors would be able to take a cookie for themselves, read their fortune, and contemplate Gonzalez-Torres’ work and the questions it raises: how has this moment shifted our perceptions of public space? What does this work mean if you cannot be physically near it to take a cookie? How can we make and experience art across physical and digital boundaries?